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At points, Everett rather touchingly essays the protective irony that endures in a spirit otherwise crumpled by heartbreak, imprisonment and public shaming; he moves with the shambling body language of a larger-than-life man now doing his level best not to be seen.
As a final, permanent showcase for a role Everett was born to play, then, “The Happy Prince” does the job.
Obviously, for me, Oscar Wilde is a kind of patron saint of all that.
He’s another showbusiness character who charted a gay course.
Germany’s Tele Munchen Group has acquired international rights outside of Italy for the eight-part series, commissioned by Italian public broadcaster Rai.
It had been thought Wild Bunch would distribute when the project was announced this month.
Soft-spoken, he has all the manners of the kind of proper handsome English gentleman he’s known for portraying on screen, combined with the handsome charm of a Hollywood leading man.“Why should a perfectly divine leopard change his spots?” Wilde asks, though Everett’s film, at once indulgent and somewhat undernourished, captures its subject some way past his era of divinity.Everett also blamed homophobia for his predicament: never hiding his sexuality as a gay man, Everett later said that being out limited his film roles.Now Everett headlines his most personal project to date: a biopic of gay author Oscar Wilde, , his views on Hollywood, and why Oscar invented homosexuality as we know it today.
For all its passion-project hallmarks, however, it makes a shakier case for him being the filmmaker to bring it to screen.