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Excerpts from the Inquirer’s interview with Mike: You guys have been making music since 1991. But there’s the greater challenge of creating something new as time passes; of finding inspiration to come up with songs that are exciting and fresh. What’s nice about music is that you can never be done with it. But because the music comes from us without pretensions or preconceptions, anything we do, by definition, is Incubus. There’s a lot of different colors and types of sounds in the album, but collectively, we were in that sort of rocking mood when we were writing. And we would just gather around and try different things. I have worked with other electronic artists, like Avicii and David Guetta, so I’m used to his creative process.The album “8” is a return of sorts to a heavier sound, after the relatively mellower “If Not Now, When? How was working with Skrillex, who re-produced and mixed the album? I have known him for years, and he’s a huge Incubus fan. I believe the best way to make music involves friendship. But, for the rest of the band, Brandon in particular, it was a new experience …The guitar input is split to feed both volume knobs, and the signal is remixed afterwards. The Normal control has a deeper low end and a little more high-end sparkle, with a smooth, fat tone when it’s driven into distortion.The Brilliant control carries a little more gain and rolls off some lows and highs for a tonal focus that shifts from upper midrange in its clean range to a throatier, low-mid growl when pushed into distortion.Both the SC20 and SC30 have the same basic front end.
Some of his influences include Chad Sexton of 311, Stewart Copeland of The Police, and Tim Alexander of Primus.
Later in 1991, José and friends Brandon Boyd, Mike Einziger, original bassist Dirk Lance (Ben Kenney joined in 2003 upon Lance's departure) began Incubus in high school in the San Fernando Valley outpost of Calabasas. José has mentioned he has never had any formal training for the drums, which he says has positives and negatives.
José recently mentioned recording drums with California band LIFE.
This dual-section design offers a number of very cool possibilities for dialing in great guitar sound.
You can push one fairly hard, and keep the other clean for a mixture of precise note articulation and serious crunch.
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