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It’s when something catches her in the right spot, tickles her fancy.
I come from a musical family, but I was the oddball, truly. I remember Di sitting down with me and sort of like what you just said, saying, “You know you are a dancer, right? ” I, of all people, have no right to complain because I’ve had this utterly charmed career.
That was great, and following that, I ended up working much more closely with her on the trio she made for the Paris Opera Ballet, Three of us made it with her.
My role originally was to fly out with her and Carolyn [Lucas] to teach the second cast what the first cast had come to New York to learn. Neal Beasley: The first cast is Aurélie Dupont, Manuel Legris and Nicholas Le Riche— stars. I went for two weeks to teach the second cast and flew home, and Trisha realized that she actually needed me there, and so she flew me back and I was right by her side through that process, which was magical.
I always describe her process as three-pronged: There’s what comes from her body; there’s what comes from her instructions or her images—the verbal transmission from her mind to our bodies; and there’s what come from our bodies answering the question, what would your body do next?
Find the most logical conclusion to this physical setup.